Cinematheque KOFA

Past Programme

Cinematic Spaces: Ireland

Date : 2024.03.19.Tue ~ 04.12.Fri

Cinematic Spaces: Ireland 대표 이미지

The Cinematic Spaces series has aimed to offer audiences the opportunity to travel to an iconic location through its cinematic representations. Each iteration of the series has featured a wide selection of films that viewed together formulate a vivid cinematic portrait, one hopefully so potent that audiences would have felt transported. Now we head to our next destination of Ireland.

For film lovers, contemplating cinematic Ireland will conjure up a diverse range of images. Some may remember the powerful period dramas that explored the nation’s history of conflict while others may fondly recall the romantic music films. We hope that this screening program will enrich these established images through new encounters with Irish cinema.

Beginning with two masterworks that together represent a classical Hollywood approach to the portrayal of Ireland (Carol Reed’s Odd Man Out and John Ford’s The Quiet Man), we encounter along our travels the first Irish film directed by a woman (Muriel Box’s This Other Eden), two revelatory feminist films of First Wave filmmaker Pat Murphy (Maeve and Anne Devlin), two film adaptations of the works of celebrated Irish author John McGahern (Cathal Black’s Korea and Pat Collins’s That They May Face the Rising Sun), two complementary films on Ireland’s war of independence and civil war (Neil Jordan’s Michael Collins and Ken Loach’s The Wind That Shakes the Barley), Jim Sheridan’s searing indictment against the injustices committed during the Troubles (In the Name of the Father), two thought-provoking black comedies by brothers John Michael and Martin McDonagh (John Michael McDonagh’s Calvary, Martin McDonagh’s The Banshees of Inisherin), two early works by renowned filmmaker Lenny Abrahamson (Adam & Paul and Garage), and several exemplary works of recent Irish independent filmmaking that explore topics of parental love (Colm Bairead’s The Quiet Girl), excavation of female history (Donal Foreman’s The Cry of Granuaile), cycle of incarceration (Frank Berry’s Michael Inside), and Dublin rave culture (Dave Tynan’s Dublin Oldschool). We encourage you to make the most of your travels and experience these wonderful portraits of Ireland on the big screen.

Finally, we would like to notify you of particular destinations that have not been accessible until now. We are proud to announce the Asian premieres of That They May Face the Rising Sun, Anne Devlin, Korea, The Cry of Granuaile, and Dublin Oldschool, and the Korean premieres of This Other Eden, Maeve, Adam & Paul, and Michael Inside.

Thank you. We hope you enjoy Cinematic Spaces: Ireland.

※ We would like to thank Eleanor Melinn and the Irish Film Institute for their invaluable help in curating this screening program.

Films

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